How do I replenish my fleet with supplies (rations, ammunition and fuel)? You'll receive new ship-types after the xp-bar has grown at the top of your screen. Click it and build some ships purchased from war bonds. there you will find the button " shipyard". Click on the bar of the Baker Squadron and drag the marked ships out of the window to the right. A Baker Squadron (sub group) is now being created in this fleet. Left click on the ship (if there are more than one, hold the shift key) that you want to take out of the fleet and then drag this ship (s) out of the Able Squadron while holding the mouse button. How to disband a ship or ships from a fleet? To merge this fleet to the Able Squadron click on the bar with the name Baker Squadron and drag the marked ships onto the Able Squadron and now it becomes one group. The first selected fleet will steam to the other fleet and will become a part of it in a subgroup (e.g. Select your fleet you want to merge and right-click on the other fleet which will receive these ships and select " Merge fleets". You can even set more waypoints/orders by holding the shift-key. The narration and film footage were reminiscent of wartime newsreels, but shocking scenes of combat at sea and on land and the soaring music elicited an entirely new and powerfully emotional dimension of the war experience.Right-click on the map and you will be able to " Move" or to " Patrol" with this fleet. In an era when television was beginning to dominate American households, which now included millions of veterans just starting to raise families but harboring powerful memories of their military service, the series was a smash hit. "Victory at Sea" aired on Sunday afternoons beginning on October 26, 1952, with actor Leonard Graves, who had also worked on The King and I, providing the narration. He also conducted the NBC Symphony Orchestra recording. Bennett then timed the music to match the documentary film, even incorporating sounds of gunfire and airplane engines, as well as jungle sounds. He orchestrated the music for Broadway shows like Show Boat, Annie Get Your Gun, and Kiss Me Kate, and then joined Rodgers and Hammerstein to orchestrate Oklahoma!, South Pacific, and The King and I. He was a natural collaborator with Rodgers on "Victory at Sea," and in fact he composed the vast majority of the 13-hour score. ![]() ![]() After that war he moved to Broadway, where he collaborated with great American songwriters and composers like Jerome Kern, Cole Porter, Irving Berlin, and George Gershwin. A lifelong musician and composer from Kansas City, Missouri, Bennett had cut his teeth on military music during World War I, when he had directed an army band. ![]() That distinction belonged to American composer Robert Russell Bennett (1894-1981). Robert Russell Bennett courtesy of Chappell Music Company. Yet although Rodgers was the “big name” and creative inspiration behind the magnificent music, he was not really responsible for writing it in the form that millions of Americans would hear over the coming years. Although Rodgers was fresh from his work on The King and I, and used to writing music set to lyrics by Oscar Hammerstein, he delved into the new project right away and greatly enjoyed it. Courtesy Library of Congress.Īs Salomon began devising the themes and writing the narration for each half-hour episode, NBC executive Pat Weaver approached Broadway composer Richard Rodgers (1902-1979), already famous for his award-winning work on Carousel, South Pacific, and The King and I. “If you were approached to do some work for the United States Navy,” Weaver said, “we’d like your assurance that you wouldn’t refuse to consider it.” A little taken aback, Rodgers replied, “Well, of course I wouldn’t refuse to consider an offer from the United States Navy.”Īs it turned out, Rodgers only agreed to compose the musical themes for "Victory at Sea" on condition that neither he nor NBC earned any money from the series’ initial run-a condition to which the network, rightly anticipating massive later profits on future runs-agreed.
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